'La macchina fotografica è per me un blocco di schizzi, lo strumento dell'intuito e della spontaneità.'
Henri Cartier-Bresson
Natural Beauty, India 2014
Love is equal
|
Natural Beauty I, India 2014
Love is equal I
|
Jama Masjid, Delhi 2014
Jama Masjid, Delhi 2014
Grab my hand, Delhi 2014
Looking at the sky, Delhi 2014
Balance, Delhi 2014
Devotion, Sihk Temple
From Time to Time
|
Devotion I, Sihk Temple
Om Nama Shivaya
|
Life is spicy, Bangalore 2014
The taste of India
|
Life is colourful, Bangalore 2014
Smile in the background, Bangalore 2014
|
Passing by, Kew Gardens
Lovers in Japan, Kew Gardens
|
Trees falling in love over spring, Kew Gardens
Green Path, Kew Gardens
|
Blue Thoughts, Kew Gardens
|
The Heart of the Sun, Amsterdam
|
On the ground, Richmond Park
Tell me about you, Richmond Park
|
Staiway to Heaven, Polignano a Mare
|
Mirrors, Holland Park, London
Metamorphosis, Holland Park, London
|
Impressions, Holland Park, London
Perspectives, London
|
Permanent feeling, London
|
Into Space, Bangalore, India
|
Underworld, Koh Samui, Thailand
|
Following A Bird, Koh Samui, Thailand
|
When In The Darkness,,, , Bangalore, India
|
The Edges Of The World, Koh Samui, Thailand
|
Spiritual Minds, Pohkara, Nepal
|
A Million Voices, Pohkara, Nepal
|
“A photograph is neither taken or seized by force. It offers itself up. It is the photo that takes you. One must not take photos.” – Henri Cartier-Bresson -
“This recognition, in real life, of a rhythm of surfaces, lines, and values is for me the essence of photography; composition should be a constant of preoccupation, being a simultaneous coalition – an organic coordination of visual elements.” – Henri Cartier-Bresson
The Photograph is an extended, loaded evidence — as if it caricatured not the figure it represents (quite the converse) but its very existence ... The Photograph then becomes a bizarre, new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest,shared,hallucination (on the one hand 'it is not there,' on the other 'but it has indeed been'): a mad image, annoyed by reality.
